Costume design in horror films not only shapes characters but also deeply embeds narrative metaphors and triggers audience emotions. This article examines representative cases from early to modern times, analyzing how designers construct a “language of fear worn on the body” between the terrifying atmosphere, character personality, and audience psychology.
From Fear to Narrative in Clothing
In the world of horror films, clothing is not merely an external decoration but a narrative tool. It conveys a character’s identity, inner emotions, and relationship with the world; through materials, tailoring, color, and details, clothing becomes a crucial bridge for emotional resonance between the audience and the characters. This article uses several classic and representative cases as a guide to present how designers transform fear on screen into a tangible language of clothing.

Design Philosophy: Balancing Atmosphere and Function
- A balance between atmosphere-driven design and plot requirements: Every garment should respond to the character’s personality, the tension of the situation, and the narrative rhythm, rather than simply pursuing visual impact.
- Tactile Narrative of Materials: From the cold hardness of leather to the softness of fabric, and the sheen of futuristic textiles, each texture enhances the emotional experience.
- Emotional Map of Color: Dark tones, grayscale, and occasional bright spots are used to guide the viewer’s attention, create contrast, and hint at clues.
Classic Case Review and Analysis
- Character One: Shaping a Potential Threat Through an Everyday Appearance
- Design Strategy: Using seemingly ordinary cuts and neutral colors, details (such as seams and pocket layout) subtly suggest the character’s psychological tension and hidden threat.
- Narrative Function: Allowing the viewer to unconsciously perceive fear stemming from the “unknown within the familiar.”
- Character Two: The Repetition of Symbolic Symbols
- Design Strategy: Establishing memorability through recognizable symbolic elements (patterns, accessories, specific materials) to create latent expectations of the character in the viewer.
- Narrative Function: Symbolic clothing becomes part of the deciphering clues, driving the plot forward.
- Character Three: The Tension of Minimalism
- Design Strategy: Minimalist silhouettes, geometric patterns, and understated sheen create a calm yet imposing stage effect.
- Narrative Function: Fear arises from the sense of “extreme restraint” and silent space, enhancing the audience’s psychological unease.

Metaphors of Fabric and Craftsmanship
- Relationship between Texture and Structure: Tight stitching and a rigid structure express the character’s desire for control; soft fabrics convey fragility and easily broken boundaries.
- Luster and Reflection: Surface treatments and variations in luster reveal the character’s duality through changes in light, strengthening the scene’s tension.
- Dialogue between Technology and Craftsmanship: The use of futuristic materials combined with traditional craftsmanship reflects the multi-dimensional nature of modern fear—possessing both mechanical and emotional traces.
The Logic of Clothing in the Scene
- Character Contextualization: Different scenes (home, corridor, underground space, nighttime street scene) correspond to different dressing rhythms and freedom of movement, making clothing a “movement component” of the narrative.
- Group Portrait Synergy: In ensemble scenes, contrast and harmonious color palettes establish a network of relationships between characters, highlighting the source and direction of plot conflicts.
- Concealment and Revelation: Detachable, layered, and deformable designs allow for the gradual concealment and revelation of information, enhancing the suspenseful atmosphere.

Synergy of Cinematography and Styling
- Styling and Camera Relationship: Costumes act as “beat points” in cinematic language, guiding the eye through their silhouettes and enhancing narrative impact through camera movement and editing.
- Visual Echoes of Color: The relationship between costume colors, set design, and lighting is designed as a unified visual system, improving overall atmosphere consistency.
Intertextual Relationship between Fashion and Imagery:
The influence of costume design in horror films extends beyond the film itself, profoundly impacting the fashion world’s understanding and application of “horror aesthetics.” Designers often translate fear into everyday, relatable style elements through cinematic costume language, while maintaining a subtle control over the audience’s emotions.

- The contemporary fashion industry has borrowed the restraint, contrast, and symbolic expression from horror movies in many scenarios, thereby creating outfits that are both narrative-driven and resonate with the audience’s understanding of the story.
